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Painters from England

19th Century English Landscape PaintersHistory does not as a rule divide itself into neat lengths exactly coincident with the centuries, and in a sense the period from William Hogarth to the

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Слайд 1English painters
The project is made by
Ulyanova Olga.


English paintersThe project is made byUlyanova Olga.

Слайд 219th Century English Landscape Painters
History does not as a rule

divide itself into neat lengths exactly coincident with the centuries,

and in a sense the period from William Hogarth to the death of JMW Turner is a single stage of development. But this period does fall, very naturally, into two parts, which correspond roughly with the last seventy-five years of the eighteenth century and the first fifty years of the nineteenth. In the first part the figure-painters, especially the portrait-painters, are dominant, and landscape-painters are struggling for recognition; in the second, landscape comes into its own, and in figure-painting there is a general decline from the standards of Joshua Reynolds and others.
19th Century English Landscape PaintersHistory does not as a rule divide itself into neat lengths exactly coincident

Слайд 3John Everett Millais

John Everett Millais

Слайд 4Sir John Everett Millais (8 June 1829 – 13 August

1896) was an English painter and illustrator and one of

the founder of the Pre-Raphaelite Brotherhood.


Sir John Everett Millais  (8 June 1829 – 13 August 1896) was an English painter and

Слайд 5Photograph of Millais, 1854
Pre-Raphaelite works
This style was promoted

by the critic John Ruskin, who had defended the Pre-Raphaelites

against their critics. Millais' friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after they met she modelled for his painting «The Order of Release». As Millais painted Effie they fell in love. In 1856 Effie and John Millais married. He and Effie eventually had eight children including John Guille Millais, a notable naturalist and wildlife artist.
Photograph of Millais, 1854Pre-Raphaelite works  This style was promoted by the critic John Ruskin, who had

Слайд 6John Everett Millais by Thomas Brock at Tate Britain


Millais died in 1896 from throat

cancer.
Memorial statue
Memorial statue was installed at the front of the National Gallery of British Art in 1905.
John Everett Millais by Thomas Brock at Tate Britain    Millais died in 1896 from

Слайд 7Gallery
«Isabella»(1849)
«Christ In The House Of His Parents» (1850)
«The

Order of Release» (1853)
Portrait of Effie Millais (1873)
The

Two Princes Edward and Richard in the Tower (1878)

«Cherry Ripe» (1879)

Gallery«Isabella»(1849) «Christ In The House Of His Parents» (1850) «The Order of Release» (1853) Portrait of Effie

Слайд 8«Sir Isumbras at the Ford» (1857)
«The Black Brunswicker» (1860)


«The Blind Girl» (1856)
«The Boyhood of Raleigh» (1871)
«The Northwest

Passage» (1878)

«Effie Deans»

«Victory O Lord!» (1871)

«Vanessa» (1868)

«Sir Isumbras at the Ford» (1857) «The Black Brunswicker» (1860) «The Blind Girl» (1856)  «The Boyhood

Слайд 9Joseph Mallord William Turner

Joseph Mallord William Turner

Слайд 10Joseph Mallord William Turner (23 April 1775 – 19 December

1851) was an English Romantic landscape painter, watercolourist and printmaker.

Joseph Mallord William Turner (23 April 1775 – 19 December 1851) was an English Romantic landscape painter,

Слайд 11Biography
Turner was born in Maiden Lane, Covent

Garden, London. His father, William Gay Turner, was a barber

and wig maker. His mother, Mary Marshall, became increasingly mentally unstable, possibly due in part to the early death of Turner's younger sister, Helen Turner, in 1786. Mary Marshall died in 1804.
His father's death in 1829 had a profound effect on him, and thereafter he was subject to bouts of depression. He never married, although his two daughters by Sarah Danby were born in 1801 and 1811.
Biography   Turner was born in Maiden Lane, Covent Garden, London. His father, William Gay Turner,

Слайд 12«The shipwreck of the Minotaur», oil on canvas.
«Chichester Canal's» (1815).
«Calais

Pier»
Turner's 1813 watercolour, «Ivy Bridge»

«The shipwreck of the Minotaur», oil on canvas.«Chichester Canal's» (1815).«Calais Pier» Turner's 1813 watercolour, «Ivy Bridge»

Слайд 13John Constable
Self-portrait 1806, pencil on paper, Tate Gallery London.

Constable drew this profile, his only indisputable self-portrait, by an

arrangement of mirrors.
John Constable Self-portrait 1806, pencil on paper, Tate Gallery London. Constable drew this profile, his only indisputable

Слайд 14John Constable (11 June 1776 – 31 March 1837) was

an English Romantic painter. Born in Suffolk, he is known

principally for his landscape paintings of Dedham Vale.

«Dedham Vale» (1802)

John Constable (11 June 1776 – 31 March 1837) was an English Romantic painter. Born in Suffolk,

Слайд 15Charles Leslie:«His nature was peculiarly social and could not feel

satisfied with scenery, however grand in itself, that did not

abound in human associations. He required villages, churches, farmhouses and cottages».

«Wivenhoe Park» (1816)

Charles Leslie:«His nature was peculiarly social and could not feel satisfied with scenery, however grand in itself,

Слайд 16Marriage and maturity
John and Maria's marriage in October

1816 at St Martin-in-the-Fields.
Maria Bicknell, painted by Constable in 1816

Marriage and maturity  John and Maria's marriage in October 1816 at St Martin-in-the-Fields.Maria Bicknell, painted by

Слайд 17«Weymouth Bay» (1816)
«The Hay Wain» (1821)

«Weymouth Bay» (1816)«The Hay Wain» (1821)

Слайд 18The Constable tomb
Constable died on the night of the 31st

March, apparently from indigestion, and was buried with Maria in

the graveyard of St John-at-Hampstead, Hampstead. (His children John Charles Constable and Charles Golding Constable are also buried in this family tomb.
The Constable tombConstable died on the night of the 31st March, apparently from indigestion, and was buried

Слайд 19Other 19th Century Landscape Painters
Besides Turner and

Constable, there were a number of other landscape-painters working in

England during the first fifty years of the 19th century whose work, if of less importance in its bearing on the general trend of European painting, is scarcely less interesting artistically. The names of John Crome, JS Cotman, RP Bonington, David Cox, Peter de Wint, and WJ Muller would be alone enough to make this period one of exceptional interest; but in addition there were many painters both in oils and water-colours whose work has an abiding charm which ensures it a permanent, though minor, position in the history of landscape-painting.
Other 19th Century Landscape Painters   Besides Turner and Constable, there were a number of other

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