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Impressionism

Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of

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Слайд 1Impressionism

Impressionism

Слайд 2Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible

brush strokes, open composition, emphasis on accurate depiction of light in

its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction

Слайд 3The Impressionists faced harsh opposition from the conventional art community

in France. The name of the style derives from the

title of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper Le Charivari.
The Impressionists faced harsh opposition from the conventional art community in France. The name of the style

Слайд 4Content and composition
Prior to the Impressionists, other painters, notably such 17th-century

Dutch painters as Jan Steen, had emphasized common subjects, but their methods

of composition were traditional. They arranged their compositions so that the main subject commanded the viewer's attention. J. M. W. Turner, while an artist of the Romantic era, anticipated the style of impressionism with his artwork [27]. The Impressionists relaxed the boundary between subject and background so that the effect of an Impressionist painting often resembles a snapshot, a part of a larger reality captured as if by chance.[28] Photography was gaining popularity, and as cameras became more portable, photographs became more candid. Photography inspired Impressionists to represent momentary action, not only in the fleeting lights of a landscape, but in the day-to-day lives of people.
Content and compositionPrior to the Impressionists, other painters, notably such 17th-century Dutch painters as Jan Steen, had emphasized common subjects,

Слайд 5Frédéric Bazille (who only posthumously participated in the Impressionist exhibitions) (1841–1870)
Paysage

au bord du Lez, 1870, Minneapolis Institute of Art

Frédéric Bazille (who only posthumously participated in the Impressionist exhibitions) (1841–1870)Paysage au bord du Lez, 1870, Minneapolis Institute of

Слайд 6Alfred Sisley (1839–1899)
Bridge at Villeneuve-la-Garenne, 1872, Metropolitan Museum of Art

Alfred Sisley (1839–1899)Bridge at Villeneuve-la-Garenne, 1872, Metropolitan Museum of Art

Слайд 7Berthe Morisot (who participated in all Impressionist exhibitions except in 1879)

(1841–1895)
The Cradle, 1872, Musée d'Orsay

Berthe Morisot (who participated in all Impressionist exhibitions except in 1879) (1841–1895)The Cradle, 1872, Musée d'Orsay

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