Презентация к интегрированному уроку "Стиль Рококо" (МХК и английский язык)

«Цнинская средняя общеобразовательная школа №2» (филиал в с. Бокино)
 
 
Развитие метапредметных связей:

изучение английского языка и мировой художественной культуры
(Модель урока. Тема «Рококо»)
 
Материал подготовила Панова Вера Семеновна, учитель английского языка
 
 

Секция социально-гуманитарного цикла

 
 
 

раковины) – стилевое направление в европейском искусстве 1-й половины ХVIII

в. Для рококо характерны уход от жизни в мир фантазии, театрализованные игры, мифологические и пасторальные сюжеты, интимные и эротические ситуации. В искусстве рококо господствует орнаментальный ритм. Скульптура и живопись изящны и декоративны.

Louvre)

the symbols of St. Petersburg

eclipse (затмевать)  3. Liberal (либеральный) 4. Bourgeoisie (буржуазия)  5. Intimacy (интимность)  6. Regime

(режим) 7. League (лига)  8. Legitimacy (легитимность)  9. Decoration (украшение)  10. Refined (очищенный, рафинированный)  11. Permanent (постоянный) 12. To commemorate (увековечить) A. cultivated, freed from impurities. B. to serve as a memorial. C. anyone who acts as head of state, especially if not the monarch; an acting deputy governor. D. unit of distance of about 5 kilometres. E. adornment, embellishment. F. middle-class. G. form of management or government. H. a close association, familiarity. I. a state of being according to law. J. stable, continuing without change. K. broad-minded, tolerant, not bound by authoritarianism, orthodoxy, or tradition. L. to obscure, darken, surpass.
Key: 1. C; 2. L; 3. K; 4. F; 5. H; 6. G; 7. D; 8. I; 9. E; 10. A; 11. J; 12. B

below. One word is extra.
The Bronze Horseman
The Bronze Horseman is

an impressive monument to the (1)___________ of St. Petersburg, Peter the Great, on Senatskaia Ploshchad’ (the former Decembrists Square). It (2)__________ the Neva River and is surrounded by the Admiralty, St. Isaac’s Cathedral and the buildings of the (3)__________ Senate and Synod – the civil and (4)_________ governing bodies of pre-revolutionary Russia. The monument was a (5)__________ by Catherine the Great to her famous (6)__________ on the Russian throne. The (7)____________ statue of Peter the Great, created by the famous French sculptor Etienne Maurice Falconet, depicts the most prominent (8)___________ of Russia as a Roman hero. The pedestal is made of a single piece of red granite in the (9)_____________ of a cliff. From the top of this “cliff” Peter shows the way for Russia, while his horse steps on a snake, which represents the (10)_________ of Peter and his reforms. Ironically, the “evil” snake serves as a third point of (11)_____________for the statue.
former, reformer, shape, tribute, religious, faces, enemies, equestrian, imported, founder, support, predecessor
Key: 1. founder; 2. faces; 3. former; 4. religious; 5. tribute; 6. predecessor; 7. equestrian; 8. reformer; 9. shape; 10. enemies; 11. support; extra word – imported

list A–H the sentence which best summarises each paragraph (1–7).

There is one extra sentence which you do not need to use.
SENTENCES: A. The decoration of Sevres porcelain has developed according to a certain style with original colors. B. The factory changes its location and name. C. One of the greatest art patrons became a customer and the shareholder of the factory. D. There are several places where you can find Sevres porcelain today because the production has been continued. E. Madame de Pompadour lives at the Chateau de Bellevue. F. The first Sevres items were not produced in Sevres and included mostly figures, not tableware. G. The French government is the present owner of the factory. H. The King became the principal client and salesperson at the same time.

French porcelain of royalty and the royal porcelain of France.

The first Sevres items, known as Vincennes, were begun in 1738 at the Chateau de Vincennes southeast of Paris. Former workmen from the Chantilly ceramics works started the factory. In the early days, the Vincennes Sevres factory produced mostly painted and gilded figures and ornamental flowers.

patron in modern history, became the major customer and joined

as a shareholder of the factory in 1745.
He conducted annual sales from his palace grounds at Versailles, encouraged his court and other royalty to buy his product, and even restricted other porcelain factories from using gilding or colored grounds on their porcelains.

King Louis XV acquired the factory as royal property. The

king took over the manufacturing operations, and considered himself the principal client and salesperson of these extraordinary porcelain creations. Pair Small Sevres Cachepots. Early 19th century, front view
4. The factory was moved to the village of Sevres southwest of Paris; a location near to the palace of Versailles and close to the home of Madame de Pompadour at the Chateau de Bellevue. From that time the porcelain became officially known as Sevres porcelain.

artists. The factory developed a unique Rococo style, a romanticist

theme, of lavishly decorated dishes, form pieces and decorative items. The exceptional glazes (глазурь) and deep background colors included royal blue (bleu de roi), turquoise (bleu celeste), pea green, and pink (rose Pompadour – so named for the king’s famous mistress). Decoration was floral and figural within white panels; these set in deeply glazed colors, and then complemented with gilded handles and edges. The king and his nobility acquired exceptional collections including dinner services, monumental vases and urns (вазы), and centerpieces (орнаментальные вазы для середины стола). The shapes and the decor on the pieces expressed the whimsy and elegant pleasures of the lifestyles of the Ancien Regime, a royal society.

of the French government, and remains so today.
7. Superb porcelain

production continued at Sevres through the 19th century and into the 20th–21st centuries. Dazzling collections of the finest porcelains now quietly reside in museums, castles, and elegant homes.
Key: 1. F; 2. C; 3. H; 4. B; 5. A; 6. G; 7. D; extra – E