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The Portraits

The Portrait of 18th century William Hogarth Joshua Reynolds Thomas Gainsborough Francis Bacon Contents The Portrait of 20th century The comparative characteristic

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Слайд 1The Portraits

The Portraits

Слайд 2The Portrait of 18th century
William Hogarth
Joshua Reynolds
Thomas

Gainsborough
Francis Bacon





Contents
The Portrait of 20th century

The

comparative characteristic


The Portrait of 18th century William Hogarth Joshua Reynolds Thomas Gainsborough Francis Bacon Contents The Portrait of

Слайд 3 The portrait of this epoch famous for its realism,

brightness and expressiveness.
XVIII century

The portrait of this epoch famous for its realism, brightness and expressiveness.XVIII century

Слайд 4William Hogarth
W. Hogarth was the first major

artist to reject the foreign influence and establish a kind

of art whose themes and subjects were thoroughly British.

(1697-1764)

William Hogarth  W. Hogarth was the first major artist to reject the foreign influence and establish

Слайд 5




The Shrimp Girl, 1740-1743, oil on canvas, National Gallery,

London, UK

The Shrimp Girl, 1740-1743, oil on canvas, National Gallery, London, UK

Слайд 6

Captain Thomas Coram, 1740,
oil on canvas,
Thomas Coram

Foundation for Children, London, UK

Captain Thomas Coram, 1740, oil on canvas, Thomas Coram Foundation for Children, London, UK

Слайд 7

The Graham Children, 1742,
oil on canvas
the Gallery,

London, UK

The Graham Children, 1742, oil on canvas the Gallery, London, UK

Слайд 8Joshua Reynolds
(1723-1793)
Reynolds was born at Plymton. He

broke the rules and showed in his practice that the

portrait could and should be also a full complex work of art on many levels. For him each model was not just a physical fact to be depicted but rather a story to be told.
Joshua Reynolds (1723-1793)  Reynolds was born at Plymton. He broke the rules and showed in his

Слайд 9
Sarah Siddons as the Tragic Muse, 1783-84, Oil on canvas,


Henry E. Huntington Art Gallery, San Marino, CA, USA.

Sarah Siddons as the Tragic Muse, 1783-84, Oil on canvas, Henry E. Huntington Art Gallery, San Marino,

Слайд 10
(1727-1788)
Thomas Gainsborough
Contrasts of light and shade with

flowing and broken lines produce an impression of animation and

mobility which is characteristic of Gainsborough.
(1727-1788) Thomas Gainsborough  Contrasts of light and shade with flowing and broken lines produce an impression

Слайд 11Robert Andrews and His Wife Frances, about 1748-49,
oil

on canvas, National Gallery, London, UK

Robert Andrews and His Wife Frances, about 1748-49, oil on canvas, National Gallery, London, UK

Слайд 12Mrs. Sarah Siddons, 1785,
oil on canvas, National Gallery, London,

UK

Mrs. Sarah Siddons, 1785, oil on canvas, National Gallery, London, UK

Слайд 13The comparative characteristic

Sir J. Reynolds
T. Gainsborough

The comparative characteristic Sir J. ReynoldsT. Gainsborough

Слайд 14 The methods of the two painters are sufficiently indicated

by their respective treatment of Mrs. Siddons.

"Sara

Siddons“ by Sir J. Reynolds is represented in the form of a muse of tragedy.

"A portrait of actress Sara Siddons“ by T. Gainsborough. The artist has underlined intelligence of a young woman.

The methods of the two painters are sufficiently indicated by their respective treatment of Mrs. Siddons.

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