Vsevolod Illarionovich Pudovkin

Содержание

1. Vsevolod Illarionovich Pudovkin
2. Vsevolod Illarionovich Pudovkin (16 February 1893 –
3. Pudovkin's masterpieces are often contrasted with those
4. A student of engineering at Moscow University,
5. After a few tries with advertising cinema,
6. His first feature was followed by "The
7. In 1928, with the advent of sound
8. With an interruption due to health concerns,
9. With the end of World War II,
10. Слайд 10
11. The Power Point was done by Babenko Olesya 11b
12. Скачать презентанцию

Vsevolod Illarionovich Pudovkin (16 February 1893 – 20 June 1953) was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage.

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Слайд 1Vsevolod Illarionovich Pudovkin

Слайд 2Vsevolod Illarionovich Pudovkin (16 February 1893 – 20 June 1953)

was a Russian and Soviet film director, screenwriter and actor

who developed influential theories of montage.

Vsevolod Illarionovich Pudovkin (16 February 1893 – 20 June 1953) was a Russian and Soviet film director,

Слайд 3Pudovkin's masterpieces are often contrasted with those of his contemporary

Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the

power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals.

Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage

Слайд 4A student of engineering at Moscow University, Pudovkin saw active

duty during World War I, being captured by the Germans.

After the war, he abandoned his professional activity and joined the world of cinema, first as a screenwriter, actor and art director, and then as an assistant director to Lev Kuleshov.

A student of engineering at Moscow University, Pudovkin saw active duty during World War I, being captured

Слайд 5After a few tries with advertising cinema, he directed in

1926 that which will be considered one of the masterpieces

of silent movies: "Mother", where he developed several montage theories that would make him famous.

After a few tries with advertising cinema, he directed in 1926 that which will be considered one

Слайд 6His first feature was followed by "The End of St.

Petersburg" (1927), and "Storm Over Asia" (also known as "The

Heir of Genghis Khan"), titles which compose a trilogy at the service of the bolshevik revolutionary policy.

Слайд 7In 1928, with the advent of sound film, Pudovkin, Sergei

Eisenstein and Grigori Aleksandrov signed the Manifest of Sound, in

which the possibilities of sound are debated, and always understood as a complement to image. This idea would be brought to bear in his next pictures:" A Simple Case" (1932) and "The Deserter" (1933), works that do not match the quality of earlier work.